Interested in the fate of the canonised artistic, scientific and journalistic images and their potential to embody contemporary meanings, for in in my new series of collages titled Mellow Apocalypse, I have used images from open source collections of art museums, scientific institutions and various image banks whose archives may be considered iconic testimonies of the present and the past. The collages are grounded in my search for syntactic visual language connections in the images pertaining to various periods, media and domains of the visual culture.